Fun with Musical Instruments

Jimmy Fallon had a great game on his show Monday night. Keira Knightley, Dave Matthews, Michael Bublé and Jimmy Fallon take turns playing and guessing the names of songs they pick blindly and play on instruments also selected blindly. It looks like lots of fun. I think this would be a great game to play in a music appreciation class. Enjoy!

Google Universal Orchestra

Google has an interesting lab project called Universal Orchestra. You can participate in live music making with others across the world. The lab is set up in London at the Science Museum where visitors to the museum and those on the internet can collaborate. To participate, you wait in a virtual line to play one of four percussion instruments and then you can select pitches and control rhythm for the different parts of the instrument. The controls are pretty intuitive and It runs in a loop, so you can change the pattern over time. You can try things out on virtual instruments while you wait to play the live ones. There are four additional instruments that can only be accessed by museum visitors. While the music is minimalist in nature, the number of instruments allows for a nice variation in the loops.

Google creates a video of your time with the orchestra; my first attempt is above. I missed the tactile aspect of making music, but I liked the intuitive collaboration with other performers. I think it could be a fun way for new musicians and non-musicians to participate in collaborative music making without worrying about hitting a "wrong" note. Give it a try! Google Universal Orchestra

Elliott Carter: 1908-2012

American composer Elliott Carter died yesterday after a very long life and an excellent career. He died a few weeks before his 104th birthday, composing to the end. His 100th birthday was celebrated by many performances of his pieces, new and old. He had several premieres of new pieces this year and he finished his last composition in August. His music can be challenging for listeners, but often the best music is.

My first exposure to Carter was in college; we sang his setting of Emily Dickinson's poem, "Heart Not So Heavy As Mine." I think it was the most difficult piece I had learned to that point, but it started my interest in "new music." It seems a very appropriate way to remember him.

There are excellent obituaries at the New York Times and NPRs Deceptive Cadence.